Ana Navarro, co-host of The View, recently weighed in on Kendrick Lamar’s electrifying Super Bowl halftime performance, 

suggesting that the rapper’s politically charged set may have struck a nerve with former President Donald Trump. 

On Monday’s episode of The View, Navarro joked that the performance could even push Trump to take swift political action, 

particularly given his presence at the game and his history of reacting to cultural moments involving race and politics.

“You know I don’t do sports, you know I don’t do football. So, I wasn’t watching the game,” Navarro admitted to her co-hosts. 

“But, listen, I think today Donald Trump is going to sign an executive order banning Black people from halftime.” 

Her comment drew laughter from the audience, underscoring the sharp political and cultural divide that often accompanies discussions about race in entertainment.

Lamar’s set, which took place at the Caesars Superdome in New Orleans, was rich with symbolism. Featuring a visually striking performance, the rapper stood amid dancers dressed in red, white, and blue, forming the shape of the American flag. Adding to the spectacle, Samuel L. Jackson took on the role of an animated Uncle Sam, introducing Lamar’s performance in a way that directly referenced themes of racial identity and political resistance.

Navarro pointed out the performance’s powerful messaging, especially in light of recent debates over whether the NFL was appeasing Trump by removing the phrase “End Racism” from the end zones. “Boy, did they not capitulate to Trump,” she remarked. “When I saw Samuel L. Jackson dressed as a Black Uncle Sam introducing Kendrick Lamar, who then had an entire formation of all Black people making a U.S. flag, listen, this much I know: all the Black people on my feed were like, ‘Ooh, this is Blackity Black Black.’”

She went on to note the divided reactions the performance had sparked. “All the racists who somehow get in, they were hopping mad. If the racists are mad, I’m happy as a clam,” she quipped, making it clear where she stood on the matter.

Meanwhile, Trump himself became a talking point of the evening, beyond just his potential reaction to Lamar’s set. The former president, who was also watching the game, shared a video of attendees booing pop star Taylor Swift, who was present to support her boyfriend, Kansas City Chiefs tight end Travis Kelce. Swift, seated alongside rapper Ice Spice and her longtime friend Ashley Avignone, has been the subject of Trump’s past social media criticism. In contrast to the footage of Swift, Trump shared clips of the crowd cheering for him at the start of the game, highlighting his continued attempt to frame himself as a beloved figure among the Super Bowl audience.

The night wasn’t just about political and cultural moments, though. In terms of football, the Philadelphia Eagles dominated the Chiefs with a decisive 40-22 victory, securing the championship title in front of millions of viewers.

The Super Bowl also opened on an emotional note with a tribute led by Lady Gaga. The pop superstar performed her Top Gun: Maverick hit, “Hold My Hand,” in a heartfelt moment on Bourbon Street. The performance, introduced by Michael Strahan and Tom Brady, featured a gospel choir and first responders, honoring the victims of a recent terrorist attack in the area.

Lamar’s halftime show, packed with layered messaging and impactful visuals, continues to spark discussion. While the former president has not directly commented on the performance, the cultural divide it represents is undeniable. With Navarro’s sharp-witted take, it’s clear that Lamar’s set resonated deeply with some, while making others—particularly those in conservative circles—uncomfortable.

Regardless of where one stands on the performance, there’s no denying that the Super Bowl halftime show has once again proven itself to be more than just an entertainment break—it’s a cultural and political stage that reaches millions. Whether Trump chooses to respond directly or not, the conversation surrounding Lamar’s performance is far from over.

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